Today, this Synapse project officially comes to an end! Continue reading Fin
Hello again! I’m back on board after a little break while completing my Master’s thesis. Continue reading Parametric Design and Mystery
Last week Vicki Sowry from ANAT came to visit the lab and see how the residency was progressing. Vicki was accompanied by Ash Tower, a PhD candidate at Uni SA who studies the lab experience in art/science residencies. Ash will be interviewing Ted and me in the near future for his PhD research project. Continue reading ANAT Residency Visit
I thought I’d also talk a little about what I am currently studying in terms of neuroscience and how it is different to my Synapse project. Continue reading Image Texture
This Synapse residency has given me the chance to reflect a little more on art/ science collaborations. I have completed art/science residencies in the past, but this is the first one I have done since formally studying science. Having a background in science has helped enormously with this project. Of course, being able to understand the science of the field you are investigating makes a huge difference to the kind of work you can produce. Perhaps this is the way forward for Sci Art as a discipline. That is, as collaborations between science and art develop, both artists and scientists may find it beneficial to become better versed in the other field, rather than having a passing interest. While this takes more dedication to a subject, this could result in more discoveries being made by both artists and scientists which affect both fields. Rather than calling ourselves ‘artists’ or ‘scientists’, we could do better if we were a little of both.
The link below is an excellent paper on art and science as creative catalysts:
I find it fascinating that the brain can ‘add’ information to what we perceive. This is likely to be the case so we can make better sense of our visual world. Continue reading Watercolour illusion
Something that excites me about studying the visual system is that much of what we experience when seeing is created internally. For example, the colours that we see do not exist out there in the world, but are generated by our brain. Our brain cells convert light into an electrical signal that we interpret as colour. In a sense, the world ‘out there’ is actually colourless. Continue reading Exploring ways of seeing